Art on My Mind: Visual Politics | 誠品線上

Art on My Mind: Visual Politics

作者 Bell Hooks
出版社 Ingram International Inc
商品描述 Art on My Mind: Visual Politics:"Aseruditeandsophisticatedashooksis,sheisalsoeminentlyreadable,evenexhilarating."--BooklistInArtonMyMind,bellhooks,aleadingcult

內容簡介

內容簡介 "As erudite and sophisticated as hooks is, she is also eminently readable, even exhilarating." --BooklistIn Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.

作者介紹

作者介紹 bell hooks is Distinguished Professor in Residence in Appalachian Studies at Berea College. Born Gloria Jean Watkins in Hopkinsville, Kentucky, she has chosen the lower case pen name bell hooks, based on the names of her mother and grandmother, to emphasize the importance of the substance of her writing as opposed to who she is. A writer and critic, hooks is the author of more than thirty books, many of which have focused on issues of social class, race, and gender. Among her many books are the feminist classic Ain't I a Woman, the dialogue Breaking Bread (with Cornel West), the children's book Happy to Be Nappy, and the memoir Bone Black. She lives in Berea, Kentucky.

商品規格

書名 / Art on My Mind: Visual Politics
作者 / Bell Hooks
簡介 / Art on My Mind: Visual Politics:"Aseruditeandsophisticatedashooksis,sheisalsoeminentlyreadable,evenexhilarating."--BooklistInArtonMyMind,bellhooks,aleadingcult
出版社 / Ingram International Inc
ISBN13 / 9781565842632
ISBN10 /
EAN / 9781565842632
誠品26碼 / 2682553582004
頁數 / 240
裝訂 / P:平裝
語言 / 3:英文
尺寸 / 20.8X13.5X1.8CM
級別 / N:無

最佳賣點

最佳賣點 : A response to the dearth of critical writing by African Americans, this book represents hooks' response to the dialogues about producing, exhibiting and criticizing art that characterize an art world obsessed with identity politics. The author positions her critiques of art and visual politics within the question of how art can be an empowering and revolutionary force within the black community.

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