The Letters of Vincent Van Gogh | 誠品線上

The Letters of Vincent Van Gogh

內容簡介

內容簡介 A literary classic, The Letters of Vincent van Gogh Captures the voice of one of the most beloved and important artists of all time. Though Vincent van Gogh is often thought of as a mad genius, in The Letters of Vincent van Gogh the thoughtful, effervescent, and sensitive man is revealed to readers through his own voice. This collection of letters, arranged in chronological order and written to Vincent's closest confidant, his brother and art dealer, Theo, provide a riveting narrative of van Gogh's life. The letters expose Vincent's creative process; his joy and inspiration derived from literature, Japanese art, and nature; as well as his many romantic disappointments and constant poverty. Also documented are Vincent's close relationships with fellow artists, especially Paul Gauguin. Van Gogh's tender and often ebullient letters provide a sharp contrast to the devastating and frequently violent mental breakdowns that plagued and eventually destroyed him. Collected and edited by art historian Mark Roskill, this volume also includes a chronology, a short memoir by van Gogh's sister-in-law that fills in many of the blanks of Vincent's early years, and reproductions of selected artwork discussed in van Gogh's letters. An epistolary classic, The Letters of Vincent van Gogh is not just an important historical collection but also a captivating treasure.

作者介紹

作者介紹 Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] ( listen);[note 1] (30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work had far-reaching influence on 20th-century art. His paintings include portraits, self portraits, landscapes, still lifes, olive trees and cypresses, wheat fields and sunflowers. He was largely ignored by critics until after his early death in 1890. The only substantial exhibitions held during his lifetime were showcases in Paris and Brussels. The first published full-length article came in 1890, when Albert Aurier described him as a Symbolist. The widespread and popular realisation of his significance in the history of modern art did not begin until his adoption by the Fauves and German Expressionists in the mid-1910s.

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