內容簡介
內容簡介 A compelling drama of South African apartheid and a universal coming-of-age story, from "the greatest active playwright in the English-speaking world" (Time). Originally produced in 1982, "Master Harold and the Boys" is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.
作者介紹
作者介紹 ATHOL FUGARD was born in South Africa in 1932 and is an internationally acclaimed playwright. His best-known plays include Bloodknot (1961); Boesman and Lena (1969); Sizwe Bansi Is Dead (1972); The Island (1973), and My Children! My Africa! (1989).
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.
最佳賣點
最佳賣點 : This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage.