揮舞翅膀, 流動宇宙的意識 | 誠品線上

揮舞翅膀, 流動宇宙的意識

內容簡介

內容簡介 至於寫作的靈感，大多源於賽斯書系列的閱讀，以及聆聽許添盛醫師所有相關的演講、讀書會、CD。如果內容符合真理，這是賽斯、魯柏及許醫師的功勞；如果有任何偏頗之處，必然是我的理解錯誤。慶幸自己得於此生接觸賽斯書之餘，更加相信未來文明將邁向：擴展意識、回歸心靈。This book is the sequel to “Freeing the Chinese Characters by Starting with Humanity — A Discussion on the Culture of Chinese Character and the Teaching of Spirituality”. The format mostly follows the previous book. However, as for the content, different choices and changes have been made.The inspiration of this book mostly came from the reading of Seth’s materials and the related speeches, book clubs and CDs of Dr. Xu Tian Sheng. This is tributes to Seth and Dr. Xu if the content is truthful; if anything is biased, it must be my misunderstanding.While I was glad that I had a chance to get to know more about Seth, I was even more convinced that our future civilization will move towards expanding consciousness and returning to the soul.

作者介紹

作者介紹 ■作者簡介洪燕梅臺灣新竹市人。國立政治大學中國文學研究博士。現任國立政治大學中國文學系教授。Hung, Yen-MeyBorn in Hsinchu, Taiwan.PhD in Chinese Literature at National Chengchi University.Chinese Literature Professor at National Chengchi University.主要研究領域：漢字學、出土文獻、老子、賽斯書。Research fields: Chinese Characters Philology, Excavated Documents, Laozi （Chinese Philosopher）, Seth Books.專著計有：《解放漢字，從「性」開始──論漢字的心靈教學》、《出土秦簡牘文化研究》、《漢字文化的模式與內涵》、《漢字文化與生活》。Publications:“To Free the Chinese Characters, Starting with ‘Xing’ — The Spiritual Teaching of the Chinese Characters”, “Cultural Studies on the Excavated Bamboo and Wooden Slips of the Qin Dynasty”, “Patterns and Connotations of the Culture of the Chinese Characters”, “The Culture and Life of the Chinese Characters”■譯者簡介林家瑜、孫明谷

產品目錄

產品目錄 作者序 Foreword of the Author譯者序 Foreword of the Translators第一章 漢字在那故事就在那The Story Is Embedded in Chinese Characters一、是誰改變了漢字的命運Who changed the fate of Chinese characters（一）嬰幼兒時期的漢字The Infancy Period of Chinese Characters（二）甲骨文是少年時期的漢字Oracle Bone Script Is the Teenage Period of Chinese Characters（三）金文是青年時期的漢字Bronze Inscription Is the Youth Period of Chinese Characters二、漢字是世人共創的藝術Chinese characters are the art created by people（一）簡牘帛書是成年時期的漢字Slips and Silk Script Is the Early Adulthood of Chinese Characters（二）《說文》小篆是成年時期漢字的旁支Small Seal Script of Shuowen Was the Branch of the Chinese Characters In Early Adulthood（三）楷書是壯年時期的漢字Regular Script Is the Adulthood of Chinese Characters（四）分家後的兩岸漢字The Separation of the Chinese Characters第二章 活躍意識，曼妙輕舞Activate the Consciousness, Dance Gracefully and Gently一、傾聽自己的聲音Listen to Oneself（一）言Speech（二）音Sound（三）意Meaning（四）識Knowledge二、意識自由的浪漫The Romance of Conscious Freedom（一）曼Gentle（二）謾Disrespect（三）慢Slow（四）漫Overflow第三章 夢中逍遙，發現神性Be carefree in dreams, be divine in discovery一、人生是夢，幻想不妄想Life is a dream. It’s a fantasy, not a delusion.（一）亡Death（二）盲Blindness（三）忙Busy（四）妄Absurd二、人生如戲，認真不當真Life is like a play; be diligent, but don’t take it seriously.（一）止Stop（二）正Upright（三）征Go on a journey（四）政Politics第四章 錯畫你的人生別遲疑Interlace your life with no hesitation一、嘗試沒有是非的日子Live like there is no moral standard.（一）厶Selfishness（二）公Public（三）累Tired（四）廢Uselessness二、做個沒有形象的自己Be a person without image（一）木Wood（二）本Origin（三）末End（四）未Not

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最佳賣點

最佳賣點 : 本書是繼《解放漢字，從性開始──論漢字文化與心靈教學》後，另一接力的作品。在形式上，大致延續前一本書；在內容上，則有許多不同的選擇、改變。