Sebastião Salgado. Amazônia (Art Edition No. 101-200 +Young Hatiri Suruwahá bathes in a backwater of the Pretão stream) | 誠品線上

Sebastião Salgado. Amazônia (Art Edition No. 101-200 +Young Hatiri Suruwahá bathes in a backwater of the Pretão stream)

內容簡介

內容簡介  全球限量400套 (流水編號: 1~400)  內容: 攝影集*1本(附:作品標題與內容解說文字的32頁小冊子) 專屬展示書立架*1 銀鹽沖印溫色調專業相紙輸出的單張黑白攝影*1幅(不含框)  書立架: 義大利國寶建築大師Renzo Piano設計  單張黑白攝影: 共從書中精挑出4款、每款限量沖印輸出100幅、可供選購Art Edition的藏家選擇、售完為止  攝影集: 有Salgado本人親筆簽名 【Endangered Paradise】 Sebastião Salgado on the traces of the indigenous peoples of the Amazon rainforest Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity. In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” This connection to nature is echoed in Renzo Piano's bookstand design, of which he says it “is the simplest way to have the book in levitation. You do not even see the bookstand, you just see the book held in the air firmly. The open pages look like an albatros while flying.” Made from mild steel with powder coated painting, threaded central rods and rubber adjustable feet, the lectern was designed exclusively for the Amazônia project. Salgado visited a dozen indigenous tribes that exist in tiny communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo’é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi—their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastião Salgado has dedicated this book to the indigenous peoples of Brazil’s Amazon region: “My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years’ time this book will not resemble a record of a lost world. Amazônia must live on.” 【商品內容、規格補充說明】 Gelatin silver print on Ilford FB warmtone paper, 50.5 x 37 cm on 60 x 50 cm paper; hardcover volume, 70 x 50.5 cm, 24.9 kg (54.78 lb), 472 pages; caption book, 25.5 x 35 cm, 32 pages; bookstand made from mild steel with powder coated painting and rubber adjustable feet, 46 kg (101.4 lb)

作者介紹

作者介紹 Sebastião SalgadoSebastião Salgado begann 1973 seine Karriere als Fotograf in Paris und arbeitete in der Folge für die Fotoagenturen Sygma, Gamma und Magnum Photos. Im Jahr 1994 gründete er gemeinsam mit seiner Frau Lélia Wanick Salgado die Agentur Amazonas Images (heute ihr Studio), die sein Werk exklusiv vertritt. Salgados fotografische Projekte wurden in zahlreichen Ausstellungen und Büchern gezeigt, darunter Sahel. L'Homme en détresse (1986), Anderes Amerika (1986), Arbeiter (1993), Terra (1997), Migranten (2000), Kinder der Migration (2000), Africa (2007), Genesis (2013), Duft der Träume (2015), Kuwait. Eine Wüste in Flammen (2016) und Gold (2019).Lélia Wanick SalgadoLélia Wanick Salgado studierte Architektur und Stadtplanung in Paris. Ihr Interesse für die Fotografie entdeckte sie 1970. Seit den 1980er-Jahren konzipiert und gestaltet sie die Mehrzahl der Fotobände von Sebastião Salgado und organisiert alle Ausstellungen seines Werkes. Seit 1994 ist Lélia Wanick Salgado Geschäftsführerin von Amazonas Images (bis 2017) und die Leiterin ihres Pariser Studios.

商品規格